Odd this day

Coates
3 min readAug 29, 2023

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Splendid news! It’s the 71st anniversary of the premiere of John Cage’s 4'33", guaranteed, even now, to make people very, very angry.

Sheet music for John Cage’s 4'33", with notes including At Woodstock, N.Y., August 29, 1952, the title was 4'33" and the three parts were 33", 2'40", and 1'20". It was performed by David Tudor, pianist, who indicated the beginnings of parts by closing, the endings by opening, the keyboard lid

The idea is that you listen to the noise around you instead of music, but BBC Symphony Orchestra general manager Paul Hughes said that

mostly what you could hear [at that premiere] was people getting up and walking out

He was being interviewed about a John Cage Uncaged weekend at the Barbican, which included a performance of the piece broadcast on Radio 3 — which required them to turn off the station’s emergency system which kicks in whenever there’s too much silence.

The broadcast prompted some magnificent responses, including phrases such as

clearly a gimmick

self proclaimed intellectuals

and — praise be to see one out in the wild!

Is this how our licence fee money is being used?

The broadcast does raise a question, though: are you supposed to listen to the ambient noise from the concert hall, or the stuff around you at home? Do two sets of ambient noise make it a completely different work?

Either way, you can still listen to it yourself and make up your own mind about it. The video is 7'20" — it’s the 12" remix:

(It isn’t. I am a child)

And…

…if that isn’t enough extreme emotion for you for one day, it’s also the 152nd anniversary of the Natural Creeping Baby Doll being patented in the United States.

Image of a doll on all fours. Its head, two arms and two legs are made of painted plaster. The arms and legs are hinged to a brass clockwork body that moves the arms and legs in imitation of crawling, but the doll moves forward by rolling along on two toothed wheels. A flat piece of wood is attached to top of the movement. It carries a label saying it was patented on 29 August 1871

It was the work of one George Pemberton Clarke, and is now held in the National Museum of American History — mercifully not on display. It was marginally less terrifying when it eventually went into production:

A crawling baby doll, with a slightly less horrifying face then the prototype, and clothed, which hides the machinery inside. The doll now wears a bonnet and dress, which were white, but are now distinctly Miss Havisham, and there is a large red ribbon round her midriff

You can find out more about it (and the horrifically racist catalogue it was advertised in) on this blog

Anyway: Please don’t have nightmares. Do sleep well.

Image of a doll on all fours. Its head, two arms and two legs are made of painted plaster. The arms and legs are hinged to a brass clockwork body that moves the arms and legs in imitation of crawling, but the doll moves forward by rolling along on two toothed wheels. A flat piece of wood is attached to top of the movement.

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Coates
Coates

Written by Coates

Purveyor of niche drivel; marker of odd anniversaries

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