Odd this day

17 March 1955

Coates
3 min readMar 17, 2024

Ah, yes — of course: the 69th birthday of a… er, legendary piece of American television.

Title card: a rural scene, over which is imposed the words “David Niven in”

Yes, indeed: suave, sophisticated David Niven. We must be in for a classy —

Title card: Henry and the Psychopathic Horse. Story and screenplay by Robert L Hecker

Ah.

It was 1955, and ‘Niv’, despite appearing in A Matter of Life and Death nine years before, was experiencing a career slump. To put it mildly. It can happen to anyone, but you’d think playing the lead in a solid gold masterpiece would protect you from falling this far.

It didn’t. This episode of US television’s wildly misnamed Four Star Playhouse concerns a New York psychiatrist (Niven) who falls in love with a medical student and visits her family’s ranch with her to announce that they’re engaged.

Her father, hoping she would marry a Man Of The Land and take over the farm is not impressed, and challenges Henry to ride an unbroken stallion with a reputation as a killer. So Henry uses his psychoanalytical skills to win over the horse. Obviously.

Luckily for Niven, he turned things around the following year.

Movie poster: Around The World in 80 Days

To put it mildly.

Two years after that, he became the first, and so far only, person to win an Oscar at an Academy Awards he was also hosting — for playing dodgy pervert Major Pollock in Terence Rattigan’s Separate Tables

Dodgy pervert Major Pollock in Terence Rattigan’s Separate Tables — Niven in a terrible moustache looking pained as he reads in the local paper that his trial for harassing women in a cinema has been covered, as he feared

It’s still, fact fans, the shortest performance to win Best Actor. He’s only on screen for 15 minutes and 38 seconds of the 1 hour 40 minutes running time — a crucial 22 seconds less than Anthony Hopkins in Silence of the Lambs.

Wendy Hiller, playing his landlady, got her only Oscar (Supporting Actress) for the same film — and was a fellow alumna of the films of Michael Powell and Emeric Pressburger, in whose I Know Where I’m Going she had appeared in 1945.

Movie poster: Wendy Hiller and Roger Livesey in I Know Where I’m Going, written, produced and directed by Michael Powell and Emeric Pressburger

If you ever get the chance to see that, I urge you to take it. Visit the Internet Archive, and you can see Henry and the Psychopathic Horse, but — having done so myself — this is not an experience I can recommend with quite so much gusto.

Separate Tables itself hasn’t aged badly, and contains, in particular, one line which isn’t getting old any time soon:

The trouble about being on the side of right, as one sees it, is that one often finds oneself in the company of such very questionable allies.

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Coates
Coates

Written by Coates

Purveyor of niche drivel; marker of odd anniversaries

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